Posts Tagged ‘screen’

Testimonial from Andrew Taylor regarding “Dreamgirls” memorabilia

Tuesday, January 17th, 2012

Just letting you know I received the Dreamgirls dress today and I’m thrilled. It a wonderful item and beautifully packaged. Thankyou for everything and I will look forward to purchasing from you again in the future

Kind regards

Andrew

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The Golden Closet Entertainment Memorabilia Newsletter January 2012

Sunday, January 8th, 2012

The Golden Closet Entertainment Memorabilia Newsletter Jan. 2012

This month, The Golden Closet is pleased to present the following wardrobe of television heroes from some of the most classic TV shows:
Bob Crane’s German officer’s hat from the show “Hogan’s Heroes,” Ann B. Davis’s maid uniform from “The Brady Bunch,” Penny Marshall’s tutu dress from “Laverne & Shirley,” and Buddy Ebsen’s collarless shirt from “The Beverly Hillbillies.” Our collection continues to expand each week, so be sure to bookmark www.thegoldencloset.com to keep updated on all the latest news regarding new items.

Featured Items

1. HOGAN’S HEROES (1965-71) Bob Crane German officer’s hat

2. THE BRADY BUNCH (1969-74) Ann B. Davis maid uniform

3. LAVERNE AND SHIRLEY (1976-83) Penny Marshall tutu dress

4. THE BEVERLY HILLBILLIES (1962-71) Buddy Ebsen collarless shirt

Featured Story: Mister Rogers Goes Washington

In 1984, long before Netflix and Hulu, a landmark case laid down a controversial law regarding technology and copyright infringement. Here’s a look back at the “Betamax Case,” including the role Mister Rogers played in the Supreme Court’s decision.

Please visit the link below to read the full story:

Mister Rogers Goes to Washington

Questions/Comments:

We welcome any questions or comments from our valued customers so please contact us at info@thegoldencloset.com or call us directly at (818) 759-0609 if we can be of any assistance.

Copyright 2012 The Golden Closet

button The Golden Closet Entertainment Memorabilia Newsletter January 2012

Featured Story: Mister Rogers Goes to Washington

Sunday, January 8th, 2012

In 1984, a landmark case laid down a controversial law regarding technology, intellectual property and copyright infringement. The unlikely hero in the legal battle to preserve the right to record content using a VCR was none other than TV’s besweatered children’s broadcaster, Mister Rogers.

misterrogers Featured Story: Mister Rogers Goes to Washington

For many years in the pre-DVD, pre-streaming era, the Betamax, Sony’s prototype videotape player-recorder, was a punch line. A piece of technology that was quickly superseded by the VHS, it limped along in the shadows for two decades. And yet, it was the Betamax that gave name to a court case that has played a pivotal role in both technological progress and copyright law over the last thirty years. Here’s a look back at the “Betamax Case,” including the role Mister Rogers played in the Supreme Court’s decision.

Like many other cool electronic products, the Betamax came from Japan. In late 1975, it was introduced to the U.S. by Sony, who touted its ability to “time-shift” television programming. In an era when most viewers still had to get up off the couch to change channels manually, this innovation was as futuristic as it sounded. But while the public was wowed by the idea, the major entertainment corporations were not. Universal Studios and Walt Disney Productions filed a lawsuit in 1976 to halt the sale of the Betamax, claiming that film and TV producers would lose millions of dollars from unauthorized duplication and distribution of their copyrighted content.

When the case finally went to trial in 1979, the U. S. District court ruled in favor of Sony, stating that taping programs for entertainment or time-shifting was fair use, and did not infringe on copyright. Further, there was no proof that the practice did any economic harm to the television or motion picture industry. But Universal, unhappy with the verdict, appealed in 1981, and the ruling was reversed. With large sums of money and copyright ownership at stake, the Betamax case arrived at the Supreme Court in 1983. By this point, nearly 50 percent of all homes in America had a VCR (VHS replaced Betamax) and sales of videocassettes were competing with theatrical box office. Universal Studios vs. Sony Corporation of America, nicknamed the “Betamax Case,” was argued for a year.

During the controversial court case, the key testimonial came from Mister Rogers, who defended the VCR and Sony, saying:

“I have always felt that with the advent of all of this new technology that allows people to tape the ‘Neighborhood’ off-the-air … they then become much more active in the programming of their family’s television life. Very frankly, I am opposed to people being programmed by others. My whole approach in broadcasting has always been ‘You are an important person just the way you are. You can make healthy decisions’ … I just feel that anything that allows a person to be more active in the control of his or her life, in a healthy way, is important.”

The Supreme Court ruled in favor of Sony and cited Rogers’ comments: “He testified that he had absolutely no objection to home taping for noncommercial use and expressed the opinion that it is a real service to families to be able to record children’s programs and to show them at appropriate times.”

Now, despite the popularity of legal movie and TV streaming sites like Netflix and Hulu, P2P file sharing continues. Cases against file-sharing sites like Napster bring to light the the same points of law established decades earlier when Mister Rogers went to Washington.

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The Golden Closet Entertainment Memorabilia Newsletter December 2011

Tuesday, December 6th, 2011

The Golden Closet Entertainment Memorabilia Newsletter Dec. 2011

This month, The Golden Closet is pleased to present the following wardrobes from classic Technicolor films to celebrate their contributions in bringing cinema to life:
Lauren Bacall’s skirt suit from the film “Woman’s World,” Anthony Quinn’s pirate coat from “Against All Flags,” Donna Reed’s western costume from “Backlash,” and a collection of costumes from “Pearl Harbor.” Our collection continues to expand each week, so be sure to bookmark www.thegoldencloset.com to keep updated on all the latest news regarding new items, and read our featured story this month celebrating the anniversary of Hollywood in Technicolor.

Featured Items

1. WOMAN’S WORLD (1954) Lauren Bacall skirt suit by Charles LeMaire

2. AGAINST ALL FLAGS (1952) Anthony Quinn velvet pirate coat

3. BACKLASH (1956) Donna Reed western costume

4. PEARL HARBOR (2001) Collection of costumes

Featured Story: Anniversary of Hollywood in Technicolor

89 years ago, the silent film, “The Toll of the Sea,” opened in New York City. While this film was not the first feature length color film (that honor goes to “With Our King and Queen Through India” from 1912) or the first Technicolor film (that honor goes to “The Gulf Between” from 1917), it was a real breakthrough as the first general release film to use Technicolor. Up to that point, previous color films required special projectors with near-constant attention from a technician to make viewing possible. “The Toll of the Sea” became the first film to use the two-color Technicolor process, allowing film to be shown on a standard film projector. This month, The Golden Closet is pleased to feature wardrobes from classic Technicolor films to celebrate their contributions in bringing cinema to life.

Please visit the link below to read the full story:

Anniversary of Hollywood in Technicolor

Questions/Comments:

We welcome any questions or comments from our valued customers so please contact us at info@thegoldencloset.com or call us directly at (818) 759-0609 if we can be of any assistance.

Copyright 2011 The Golden Closet

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Featured Story: Anniversary of Hollywood in Technicolor

Tuesday, December 6th, 2011

89 years ago, the silent film, The Toll of the Sea, opened in New York City. While this film was not the first feature length color film (that honor goes to With Our King and Queen Through India from 1912) or the first Technicolor film (that honor goes to The Gulf Between from 1917), it was a real breakthrough as the first general release film to use Technicolor. Up to that point, previous color films required special projectors with near-constant attention from a technician to make viewing possible. The Toll of the Sea became the first film to use the two-color Technicolor process, allowing film to be shown on a standard film projector.

Through the early 1920′s films like, Wanderer of the Wasteland and Douglas Fairbanks’ The Black Pirate, showcased that Technicolor Process 2 could be commercially viable. This was further cemented by the used of Technicolor for color sequences in such major motion pictures as The Ten Commandments (1923), The Phantom of the Opera (1925), and Ben-Hur (1925).

Although the Technicolor process was invented in 1916, it took many years of continual improvements before it became the Hollywood standard. In the late 1920′s and early 30s, Technicolor Process 3 of using dye-transfer technique was introduced around the same time as sound-on film; thus, The Viking (1928) became the first Technicolor film with synchronized score and sound effects. Technicolor film, On with the Show! (1929) became the first all-talking color feature, followed by other talkies like, Gold Diggers of Broadway (1929), The Show of Shows (1929), King of Jazz (1930), and many more.

Technicolor’s success reached a new height in 1938 when Disney’s Snow White and the Seven Dwarfs became the top-grossing film of that year. Using new methods and improvements made over the previous years, Technicolor began attracting serious attention from studios who had remained reluctant to use the technology.

When you are looking at the best color films through the early days of Hollywood, from Gone With the Wind to Fantasia to Gentlemen Prefer Blondes – they are all shot in Technicolor. Until 1952 when Eastmancolor from Eastman Kodak would become more popular, Technicolor was the standard used in Hollywood. In recent years, there has been a reintroduction of Technicolor and the dye transfer process in general film production. Classic films like, Rear Window, Funny Girl, and Apocalypse Now Redux, have been restored using the technology and several big-budget Hollywood films have used it on actual production. These include Bulworth, Pearl Harbor, and Toy Story.

Technicolor now focuses on both archival work in preserving our treasured Hollywood films and reinventing yet another way for people to experience film via 3D. This month, The Golden Closet is pleased to feature wardrobes from classic Technicolor films to celebrate their contributions in bringing cinema to life.

button Featured Story: Anniversary of Hollywood in Technicolor